Darkplane, a new campaign setting for 5th Edition up on Kickstarter
Darkplane is a new campaign setting compatible with the new 5th edition of Dungeons & Dragons (though the book is pretty rules-light, so you could theoretically adapt it to whatever system you had in mind). It’s currently up on Kickstarter and looking for some funding love. And loved they are, since they’re almost 2x funded. The setting is a mix of dark fantasy, horror, and pulp.
The campaign is set to run for another 21 days.
From the campaign:
The Darkplane universe is a campaign setting of weird horror for 5th edition (of, you know, everyone’s favorite RPG) that blends all sorts of pulp genres into a rich, culturally diverse history. Since the book is largely system-neutral, it’ll be a valuable asset to any horror or dark fantasy roleplaying game.
Darkplane is hugely influenced by pulp writers, especially the masters of weird fiction like H.P. Lovecraft, Clark Ashton Smith, Arthur Machen, Algernon Blackwood, Lord Dunsany, and even more contemporary authors like China Miéville and Anne Rice. Its stories rely on an overarching, seductive sense of dread and mystery. They’re about cults, hauntings, twisted monsters, and breaking away from moral simplicity.
The world of Vinramar can be a perilous place, whether you’re leading witch-hunts in Trentsmund’s colonial provinces, searching forgotten ruins for the secrets of the cosmos, or taking desperate flight from the cannibal-infested wastelands that once were the kingdom of Welluxia.
Here are a few ways that the Darkplane setting changes the core assumptions of a campaign.
The World Appears Mundane. To the everyday inhabitants of Vinramar, magic is only a dark legend. Half-believed traditions of the supernatural prevail among commoners—whispers of spirits, strange magic, and unexplained terrors—but few people come in contact with such things. Darkplane campaigns focus on those special few.
Perilous Horrors Hide Under Every Stone. Beneath the facade of the everyday world lies a nightmare realm, the true reality that would drive common folk to madness. Magic is rare and dangerous. Vengeful abominations creep into the natural world from other dimensions, sowing chaos and fear. Frightful vestiges of pre-human civilizations lie hidden in the earth, and some of their immortal denizens live unseen among mortals. When such supernatural forces come in contact with average people, the scars they leave are deep and troubling.
God is Dead. Shortly following the creation, the supreme creator Sowm was killed by Her son Daemoth, plunging the Heavens into an endless war. The key players in this conflict are unfathomable gods who rarely visit the mortal realm, but their followers are all too eager to drag the world through milennia of bloodshed and carnage. These priests might be showmen, sages, or warmongering vipers, but if their faith is sufficient they can channel powerful wonders.
Industrial Revolution Has Created Wide Technology Gaps. Some cultures resort to ancient practices like hunting and gathering to survive, while others have developed specialized crafts like printing and glass blowing. In Trentsmund, steam power has irrevocably changed the kingdom’s infrastructure. Traffic between these societies is still limited enough to preserve the technological disparity.
The Darkplane Encompasses All. The four worlds are surrounded by an endless void beyond natural reality, called the Darkplane. The Darkplane is populated and ruled by mysterious aberrant powers so unnatural that their comprehension is almost beyond mortal minds. Daemoth’s slow conquest of the Darkplane has driven these alien horrors into the four worlds, where their presence infects and twists natural creatures into unspeakable aberrations.